
Romerolagus diazi, the Volcano Bunny is found only in the central part of the Mexican transvolcanic belt.
Bonus bunny facts at the University of Michigan Museum of Zoology's Animal Diversity Web.
Via boingboing.
All toast, all the time.

I'm thinking Douglas and Hope, I'm thinking Savers, I'm thinking Fitzroy, St Kilda, the city, Elsternwick. Maybe baby, Carlton ? And if I go to St Kilda (oh, the cakes!)… why wouldn't I stop in at Albert Park? And Balaclava.
Which reminds me. I loved loved loved that fake Fendi denim jacket I bought from the angry Russian lady at the end of Chapel St. It was fabulous in the bestest eastern bloc hooker kind of way. Why'd I ever throw it away? What a fashion fool I was.
Must get to Christine's. And Camberwell market.
If I could fit in some shiatsu, that'd be good…
And I have to see the National Gallery. And the ACCA too.
Most wonderfully of all, will see the lovely D, who is letting me crash with her at Hawthorn.
Then there's the gorgeous C, and the much missed K to be met for a bowl of pho at K's restaurant.
And the magical marvellous Dr A with her boyfriend M for tapas and drinks.
M was in the circus. Is that not awesome?
Photos later.
I have a zit big enough to cause shifts in atmospheric pressure.
People who blog hurricanes and other freak weather patterns are likely to be on my doorstop any minute now.
Ahead of the erruption, may I suggest the first chairlift out?
Don't be too overwhelmed with envy, will you now.
Tomorrow though, going to see urban dingoes at la boite.
Looking forward to finally seeing the huge Tracey Moffat billboard too.

The bus stop was outside a Thai takeaway. In a casement window, in the wall next to the takeaway's door, there was a tiny gallery.
Sometimes, there would just be scribbled bits of paper in it, or voodoo dolls, or Polaroids.
Or, for a couple of weeks, a stuffed cat, resplendent in opera mask and plumed head-dress.
friend: i have made this delicious pasta for us to eat together!
me: what is that can you are opening? is it SPAM?
friend: no, it is tuna.
me: aaaaaaarrrrrrrrrrrrrggggggh. fish!
friend: but it's tuna!
me: and what is tuna?
friend: a fish?
me: yes. a fish.
friend: that's a picture of fish on that mug you're drinking out of there!
me: aaaaaaarrrrrrrrrrrrrggggggh.fish!
friend: ha!
friend: look at the precious golden carp in the picturesque water feature right next to where we are sitting, eating! it's fins are rotting and it's eyes are all googley.
me: aaaaaaarrrrrrrrrrrrrggggggh.fish!
friend: ha!
friend: yes we have no fish in the tank at the moment. they've all EATEN EACH OTHER.
me: aaaaaaarrrrrrrrrrrrrggggggh.cannibal fish!
friend: ha!
friend: i'll have to flush this dead fish...4 or will I just use it to TORTURE her!?
me: aaaaaaarrrrrrrrrrrrrggggggh.fish!
friend: ha!
me: so that's fish?
M: yeah, sorry, i forgot.
me: no, no, it's alright, i hate it, but it doesn't disgust me if someone else is eating it.7
M: i can hardly taste it at all with all the sauce.
me: i've actually been thinking about trying to eat seafood.
M: you should try this – you wouldn't taste it with all the sauce.
me: ok. cut me off a really tiny piece.
M: here.
me: smaller.
M: here.
me: no, smaller.
M: that's tiny.
me: not tiny enough.
M: here.
me: hey! it tastes OK.
M: it tastes like sauce.
me: hey I can't believe that fish totally wasn't disgusting!
A: yep.
me: next time one of those fish dies, i'm slapping it on the barbeque!
A: really?
me: no. i still really really hate their googley eyes. why can't science genetically engineer fish without googley eyes?
A: or NO eyes!
me: oh sweet jesus noooooooooooooooooooooooo. blind eyeless fish. that's worse than the axolotyl.
A: ha!
Work of Meta-Art in the Age of Generative Reproduction
The flux creates, the empire permeates. In the synaptic artifice, art objects are resurrections of the iterations of the flux -- a flux that uses the empire as a parallax to enmesh ideas, patterns, and emotions. With the devolution of the electronic environment, the flux is superseding a point where it will be free from the empire to consume immersions into the machinations of the delphic artifice. Work of Meta-Art in the Age of Generative Reproduction contains 10 minimal shockwave engines (also referred to as "AI modules") that enable the user to make nice audio/visual compositions.
Measuring chains, constructing realitiesputting into place forms
a matrix of illusion and disillusion
a strange attracting force
so that a seduced reality will be able to spontaneously feed on it
The work investigates the nuances of surveillance cameras through the use of stopframe motion and close-ups which emphasise the Generative nature of digital media. Random explores abstract and lustrous scenery as motifs to describe the idea of cyber-intuitive artifice. Using magical loops, vectors, and allegorical images as patterns, Random creates meditative environments which suggest the expansion of art...
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%^&*())__++_)(*&^%$--------/u/u!@#$ %^~!@#$%^&*())__+, etc., etc.
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